O my city /
by Mohsen Elbelasy
from Oblivion game by Zazie and Pierre Petiot and friends
Where are your forgotten volcanic fingers?
O my city :
Your music floats in the free-falling magnet nebula on the foreheads of your zebras
Always remember them
To take off the spikes in your decadent boobs.
O my city chewed in the mouths of your cement elephants
my city; The thick ropes are moving upwards
3D scene /O my city
Brothel / downtown Cairo
Winter 2060
Amputated head and half a mouth wants to laugh
,
The eyes of the shattered
mannequins lying on the remains of the sidewalk plead for nothing in panting pain
The wood crackles in rebellion, so that the whole scene becomes mute ashes
O my labyrinth of thirst and a long silence
The blood staining extractor carries fire
From the backyard of the brain
to me
4D scene
And the barbaric lust for hugging the prostitutes of the thirties who developed biological and owned one hole at the bottom, leather hoses enter it and it has another job, from which volcanic energy comes out at night that releases brothel wolves
to me
higher
floating in the sky
In successive flashes / spasms
The smell of pineapple clitoris numbs the atmosphere of the mummified city.
They have claws drenched in their pallor
The smell of pineapple clitoris numbs the atmosphere of the mummified city.
They have claws drenched in their pallor
The most beautiful deaths are the ones we say after
“Let’s wipe the remnants of the seminal cascade from our bodies.”
in the name of desire
winged cry
Rebellion birds spit out their magnetic waves
The scene is false
There is only a yard
Statue of a basalt dick
and death
Death, death, death.
This god is stave
bank guard
Magical Sex Oils
the family
Honour
Life as a median tumor
Striptease religious dance in the air
glow virus farm
Boats flip over on shredded asphalt cracks
Tales of an ancient wind
braking duration
when I will be a tree
or a fountain pen
I will sleep indefinitely
I will create in the cells of the outcasts
Ants of background dances
Geeks who wander about in the slumber of the circular slavery trap
Photography by Mohsen Elbelasy from Oblivion game
Oblivion
Zazie and Pierre Petiot and friends
New book by
La_Belle_Inutile_Editions
DEC 2021
Cover by : Evi Moechel (Zazie)
Surprisingly, the fundamental function of oblivion in the constitution of knowledge of all kinds has hardly been brought to light. This book is built on the results of a game that proposed an exploration of the paths and geographies of oblivion by means of photography, with the idea to suggest or identify aspects of Oblivion that may be unspoken or even unspeakable.
The following artists and poets participated in this game : Barrett J. Erickson, Bela Gamela, Catherine Dumaine, Dale Houstman, Daniel O’Reilly, Darren Thomas, David Nadeau, Doug Campbell, Fairouz Eltaweela, Ghadah Kamal, Irene Plazewska, James Sebor, Mitchell Pluto, Mohsen Elbelasy, Nelly Sanchez, Pierre Petiot, Richard Burke, Richard Misiano-Genovese, Uly Paya, Veronica Cabanillas Samaniego, Waleed Fekry, Willem den Broeder, Yves Maquinay, Zazie (Evi Moechel).
Poems and texts by the participants in English, Spanish and French have been added to photographies.
من المثير للدهشة أن الوظيفة الأساسية للنسيان في تكوين المعرفة بجميع أنواعها لم يتم تسليط الضوء عليها من قبل . بُني هذا الكتاب على نتائج لعبة اقترحت استكشاف مسارات وجغرافيات النسيان عن طريق التصوير الفوتوغرافي ، مع فكرة اقتراح أو تحديد جوانب النسيان التي قد تكون غير معلن عنها أو حتى لا يمكن وصفها .
شارك في هذه اللعبة الفنانين والشعراء التالية أسماؤهم: باريت جيه إريكسون ، بيلا جميلة ، كاثرين دومين ، ديل هوستمان ، دانيال أورايلي ، دارين توماس ، ديفيد نادو ، دوج كامبل ، فيروز الطويلة ، غادة كمال ، إيرين بلازيوسكا ، جيمس سيبور ، ميتشل بلوتو ، محسن البلاسي ، نيللي سانشيز ، بيير بيتيو ، ريتشارد بيرك ، ريتشارد ميسيانو جينوفيز ، أولي بايا ، فيرونيكا كابانيلاس سامانيغو ، وليد فكري ، فيليم دن برودر ، إيف ماكويناي ، زازي (إيفي موتشيل).
تمت إضافة قصائد ونصوص لبعض المشاركين باللغات الإنجليزية والإسبانية والفرنسية إلى الصور الفوتوغرافية.
SULFUR EDITIONS 
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