
You Must Change Your Life with Kitchenware
I soak a rolling pin in heirloom perfume,
hire a shoe shiner for companionship
lonely as a city free of feet.
I exculpate an omelet using Uri Geller’s cutlery.
Parting gifts, a religion concession
but you can’t blame spirituality
for Teflon gospel-leaning.
The snake charmer plays dead
until St. Bernard licks the retina
scan. The dirtier the dollar bill,
the greater its biography.
The counter’s elegance,
breakroom wheat.
James Doohan
The UFO DVD helps me sleep,
Trekker narrating a speculative Reticuli.
End table with heirloom lamp—theatre of flowers
painted around the pull string dovetailing a rhododendron.
I date an abductee out of lurid curiosity.
Mothership and Möbius strip,
space kites we become.
I don’t get a say in who suckles a cosm,
but a nanny-cam planet I can swing.
The tarantula’s insomnia means house calls
from animal masseuse.
God, toss me the microfiche.
Beauty Pageant Marionette
We come to the sawdust portion,
sliver a tie-breaker.
Glamor shoots, my hereafter.
One mistake and it’s picture frame
or sandpaper worth a teacup peek:
Pulcinella ragamuffin,
Gehenna bottom-shelf.
Crank my arm for congenial.
All the sad-fingered do.
At My Doppelgänger Convention We Discuss Synecdoche, the Betterment of Soup
Jon, a three-pound weight gain won’t set you apart from
Southern brethren. Lack of navy-bean fundamentals will.
Talking-in-tongues Jon, don’t confuse minestrone
with splintery nativity, Potemkin tomato.
Rhode Island Jons: their sibylness gazpacho-
smudged on neo-Freudian pontoon.
Laredo Jon, I forgot he existed—turned state’s
borscht and off to the incognito strainer he went.
You are as with it as split pea, basil vaguely.
Fragile globule, Jon-probation removed.
Nostalgia-Poor, Nutrient-Rich
Caesura with noise-cancelling headphones.
Glyph customization after worm-hole tryst.
Spark plugs retrofitting solar-powered amanuensis.
Riding a cigarette float, NicoDerm patches tossed gratis.
One’s interpersonal Romanovs outgrowing their execution room.
The Lesser of Two Down Unders
“Day after day, it reappears” – Colin Hay
On the foyer of your tongue skulks
that Men at Work song, “Overkill”—
Australia-size bristle,
Queensland didgeridoo—
wondering if photographic memory is
Obsessive-Compulsive Disorder’s tradeoff.
Mausoleum limousine, your haggard baronet.



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