THE GREAT SHIPS
One summer night,
under a radiant horizon,
my voice was born.
It was born like an enraged wind
made of flesh.
This sobbing head, this tender stone —
an open lobe that dawns
like a dolphin.
Your name was a shadow
between two medallions,
your cry of love
was the same as mine.
Now I’m all alone,
talking with your smile.
In front of me, arriving,
the usual certainty.
A hope is going to shove the moon
out to sea.
The great ships are without limits,
like hollow skin and trampled air.
Waves that mean nothing
roll around in the light.
The shoreline is a caress,
suffering without trying.
Happiness,
restrain your sullied foot.

Tim Murphy is the author of two poetry chapbooks, Art Is the Answer (Yavanika Press, 2019) and The Cacti Do Not Move (SurVision Books, 2019). His poems have appeared in Blatt Blað, Frontera, Ink Sweat and Tears, Otoliths, and Snapdragon, among others.
HIDDEN BOW
While I rise with my dream
from the chest of certainty
that teases my eyes,
I am as quiet as a naked arm.
The bright light
flashing between my teeth
troubles me more severely
than your knocked-down memory.
I kiss you
between the eyelids,
you, the most beautiful of all.
Overhead,
a piano drowns
and you kiss the frozen contraction
of nothing but my hope.
Your lips keep my balance
against the dawn.
Ignore the dead water,
open your recent mouth,
forget your sinking harp.
In this taut paleness
the music of torrential silence
is the shape of two skins.
I do not know
if the sky’s hidden bow
sees what strength
it takes for me
to say a few bright words
to the shining dawn.
Why do you keep insisting
when you know I can’t respond?
I deny everything.
APPLE GRAVES
There is no cure for dreaming
of the open mouths of dying canyons.
It is useless to look
through the shadowy faucets
of magnifying glasses —
even obscure names frighten
the vigilance of the night.
Landscapes full of graves
yield tiny apples
because of a silence
that has no roots
and no tears.
The violent moon spreads fire
over the entire arch of the sky.
Facades of smoke
wait in ambush
for a single corpse.
It does not matter
if we have to journey
where equilibrium loses its way.
INJURED BEACH STAR
The sand says to the cork float,
“I am where the retreating sea
stores up fossils
in a pink vapour.
When you were a child
I crafted standing stones
that flashed out
in all directions.
In the glancing light,
along the dynamited mountain,
every dazzling thing
is reputed to have dried
into the sky.”
And the cork float says to the sand,
“Shapes, with eyes half shut,
stretch out to dismember
the padlocked caves.
Tempest eggs stream out
as if by enchantment.
To rediscover
the immemorial deity’s
castoff limbs
or its spine
of incandescent thorns,
it is necessary
to caress
the dagger’s edge.”
But the shepherd says,
“Memories of childhood,
polished by kelp,
may cajole like a cat within.
The silver bullet,
with its myriad
of closed eyelids,
rebounds
with a dizzying thrill.
Injured beach star!
Upraise yourself
like an effigy
with an electric smile
and cry out obsessively
towards the trees lit from within!”



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